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| PUBLICATIONS |
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Music, Dance
and the Art of Seduction.
(Co-edited with Frank Kouwenhoven.) Leiden: CHIME, forthcoming,
2008. |
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| 2006 |
Gurudev’s Drumming
Legacy: Music, Theory and Nationalism in the Mrdang aur Tabla
Vadanpaddhati of Gurudev Patwardhan. (SOAS Musicology
Series.) Aldershot, Hants, England: Ashgate Publications.
(Available from Ashgate.)
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| 2005 |
The Tabla of Lucknow: a Cultural
Analysis of a Musical Tradition. New Delhi: Manohar, 2005.
Includes one CD. (Reprinted edition, available at Rs 650 from Manohar.) |
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| 1988 |
The Tabla of Lucknow: a Cultural
Analysis of a Musical Tradition. (Cambridge Studies in
Ethnomusicology.) Cambridge: Cambridge University Press, 1988. |
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Bansuri (A yearly journal
devoted to the music and dance of India, published by Raga Mala
Performing Arts of Canada. 1996 was the last issue ever produced.)
Volume 13, 1996. (Click image to access journal online) |
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Volume 12, 1995. (Click image
to access journal online) |
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Volume 11, 1994. (Click image
to access journal online) |
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"Introduction." In Kouwenhoven,
Frank & James Kippen (eds), Music,
Dance and the Art of Seduction. Leiden: CHIME, forthcoming,
2008. |
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“Ustads: Working with the
Masters.” In Gregory Barz and Timothy Cooley (co-editors), Shadows
in the Field: New Perspectives for Fieldwork in Ethnomusicology (Revised
2nd Edition). Oxford University Press, forthcoming 2008. |
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| — |
“The History of Tabla.” In Essays
on The History of North Indian Music, 13th-20th Centuries.
Edited by Joep Bor, Françoise
‘Nalini’ Delvoye, Jane Harvey and Emmie te Nijenhuis.
New Delhi: Manohar, forthcoming, 2008. |
|
| 2003 |
“Le rythme: Vitalité de
l'Inde.” In Gloire des princes, louange des dieux:
Patrimoine musical de l'Hindoustan du XIVe au Xxe siècle.
Paris: Cité de la musique et Réunion des Musées
Nationaux, pp.152-73. Read
more >
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| 1997 |
“The Musical Evolution
of Lucknow.” In Violette Graff (ed.) Lucknow: Memories
of a City. New Delhi, Oxford University Press, pp.181-95. |
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| 1992 |
“Identifying Improvisation
Schemata with QAVAID.” In Walter B. Hewlett
& Eleanor Selfridge-Field (eds), Computing in Musicology:
An International Directory of Applications, Volume 8. Center
for Computer Assisted Research in the Humanities, pp.115-19. |
|
| 1992 |
“Bol Processor Grammars.” In
M. Balaban, K. Ebcioglu, &
O. Laske (eds), Understanding AI with Music, AAAI Press,
pp.367-400. |
|
| 1992 |
“Modelling Music with Grammars:
Formal Language Representation in the Bol Processor.” In
A. Marsden & A. Pople (eds), Computer Representations
and Models in Music. London, Academic Press, pp.207-38.
(With Bernard Bel) |
|
| 1991 |
“From Word-Processing to
Automatic Knowledge Acquisition: A Pragmatic Application for
Computers in Experimental Ethnomusicology.”
In Susan Hockey and Nancy Ide (series editors), Ian Lancashire
(guest editor), Research in Humanities Computing I: Papers
from the 1989 ACH-ALLC Conference, Oxford University Press,
pp.238-53. (With Bernard Bel) |
|
| 1990 |
“Music and the Computer:
Some Anthropological Considerations.”
In B. Vecchione & B. Bel (eds) Le Fait Musical —
Sciences, Technologies, Pratiques, préfiguration des
actes du colloque Musique et Assistance Informatique,
CRSM-MIM, Marseille, France, 3-6 Octobre, pp.41-50. |
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| 2007 |
“The Tal Paddhati of
1888: An Early Source for Tabla.” Journal of the Indian
Musicological Society, 38, 2007, pp.151-239 |
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| 2005 |
“Lucknow.”
In Encyclopedia of Popular Music of the World,Volume
5, Asia & Oceania,. London: Continuum, 2005, pp.109-110. |
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| 2002 |
“Wajid Revisited: A Reassessment
of Robert Gottlieb’s Tabla Study, and a new Transcription
of the Solo of Wajid Hussain Khan of Lucknow.” Asian
Music, 33, 2, Spring/Summer, pp.111-74. |
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| 2001 |
“Asian Music [in Ontario].” Garland
Encyclopedia of World Music, Volume 3, The United States and
Canada. New York: Garland Publishing, p.1215-17. |
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| 2001 |
“Folk Grooves and Tabla
Tals.” ECHO: a music-centered journal. III: 1
(Spring). |
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| 2000 |
“Hindustani Tala.” Garland
Encyclopedia of World Music, Volume 5, South Asia: The Indian
Subcontinent. New York: Garland Publishing, pp.110-37. |
|
| 1998 |
“Musings on Dhrupad, and
an Interview with Falguni Mitra.” Kala, Volume
2, no.1, p.4. |
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| 1996 |
“A la recherche du temps
musical.” Temporalistes, 34, pp.11-22. |
|
| 1996 |
“Lucknow Kathak Dance.” Bansuri (Journal
of the Raga Mala Performing Arts of Canada), 13, pp.42-50. (With
Andréine Bel.) |
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| 1996 |
“What’s Wrong With
Hindustani Music?” Kala, Volume 1, no.2, pp.4-7.
[Reprinted in Sruti (Madras), no.160, 1998.]
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| 1995 |
Response to Charles Keil’s “Theory
of Participatory Discrepancies”, Ethnomusicology,
39, 1, Winter, pp.77-78. |
|
| 1994 |
“Computers, Composition,
and the Challenge of ‘New Music’ in Modern India.” Leonardo
Music Journal, 4,pp.79-84. |
|
| 1992 |
“Tabla Drumming and the
Human-Computer Interaction.” The World of Music,
34, 3, pp.72-98. |
|
| 1992 |
“Music and the Computer:
Some Anthropological Considerations.” Interface,
21, 3-4, pp.257-62. |
|
| 1992 |
“Where Does The End Begin?
Problems in Musico-Cognitive Modelling.” Minds & Machines,
2, 4, pp.329-44. |
|
| 1989 |
“Changes in the Social
Status of Tabla Players.” Journal of the Indian Musicological
Society, 20, 1 & 2, pp.37-46. [Reprinted in Bansuri,
8, pp.16-27, 1991.]
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| 1989 |
“Can a Computer Help Resolve
the Problem of Ethnographic Description?” Anthropological
Quarterly, 62, 3, pp.131-44. |
|
| 1989 |
“The Identification and
Modelling of a Percussion ‘Language’, and the Emergence
of Musical Concepts in a Machine-Learning Experimental Set-Up.” Computers
and the Humanities, 23, 3, pp.199-214. (With Bernard Bel) |
|
| 1989 |
“Computers, Fieldwork,
and the Analysis of Cultural Systems.” Bulletin of
Information on Computing and Anthropology, 7, pp.1-7. |
|
| 1988 |
“Computers, Fieldwork,
and the Problem of Ethnomusicological Analysis.” International
Council for Traditional Music (UK Chapter) Bulletin, 20,
Summer, pp.20-35. |
|
| 1988 |
“Un modèle d’inférence
grammaticale appliquée
à l’apprentissage à partir d’exemples
musicaux.” Neurosciences et Sciences de l’Ingénieur,
4èmes Journées CIRM, Luminy, Marseille. (With
Bernard Bel) |
|
| 1988 |
“On the Uses of Computers
in Anthropological Research.” Current Anthropology,
29, 2, April, pp.317-20. |
|
| 1987 |
“An Ethnomusicological
Approach to the Analysis of Musical Cognition.” Music
Perception 5, 2, Winter, pp.173-95. |
|
| 1987 |
“Applied Ethnomusicology:
the Use of Balinese Gamelan in Recreational and Educational Music
Therapy.” British Journal of Music Education 4,
1,pp.5-16. (With Annette Sanger.) |
|
| 1986 |
“Applied Ethnomusicology:
the Use of Balinese Gamelan in Music Therapy.” International
Council for Traditional Music (UK Chapter) Bulletin, 15,
pp.25-28. (With Annette Sanger.) |
|
| 1986 |
“Computational Techniques
in Musical Analysis.” Bulletin of Information on Computing
and Anthropology (University of Kent at Canterbury), 4,
pp.1-5. |
|
| 1985 |
“The Dialectical Approach:
a Methodology for the Analysis of Tabla Music.” International
Council for Traditional Music (UK Chapter) Bulletin, 12,
December, pp.4-12. |
|
| 1984 |
“Linguistic Study of Rhythm:
Computer Models of Tabla Language.” International Society
for Traditional Arts Research Newsletter, 2, pp.28-33. |
|
| 1984 |
“Listen Out for the Tabla.” International
Society for Traditional Arts Research Newsletter, 1, pp.13-14. |
|
| 2006 |
McNeil, Adrian, Inventing the
Sarod: A Cultural History. Calcutta: Seagull Books, 2004. In Yearbook
for Traditional Music, 38, 2006, pp.133-5. |
|
| 1999 |
Myers, Helen, Music of Hindu
Trinidad: Songs from the India Diaspora. Chicago Studies
in Ethnomusicology. Chicago: University of Chicago Press, 1998.
In Notes, December, pp.427-29. |
|
| 1999 |
Marshall, Wolf, The Beatles
Bass. Hal Leonard Corporation, 1998. In Beatlology,
5, April-May. |
|
| 1997 |
Widdess, Richard, The Ragas
of Early Indian Music: Music, Modes, Melodies, and Musical
Notations from the Gupta Period to c.1250. Oxford Monographs
on Music. Oxford: Clarendon Press, 1995. In Journal of
the American Oriental Society, 117, 3, p.587. |
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| 1994 |
Rowell, Lewis, Music and
Musical Thought in Early India. Chicago Studies in Ethnomusicology,
edited by Philip V. Bohlman and Bruno Nettl. Chicago and London:
The University of Chicago Press, 1992. In Journal of the
American Oriental Society, 114, 2, p.313. |
|
| 1992 |
CD Review: “Bengal: chants
des ‘fous’”, by Georges Luneau & Bhaskar
Bhattacharyya, and “Inde du sud: musiques rituelles et
théâtre du Kerala”, by Pribislav Pitoëff. Asian
Music 23, 2, spring, pp. 181-184. |
|
| 1992 |
Witmer, Robert (ed.) Ethnomusicology
in Canada: Proceedings of the First Conference on Ethnomusicology
in Canada. (CanMus Documents, 5) Toronto, Institute for
Canadian Music, 1990. Yearbook for Traditional Music,
24, pp. 170-1, . |
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| 1992 |
Neuman, Daniel M. The Life
of Music in North India: The Organization of an Artistic Tradition.
Chicago, University of Chicago Press, 1990. In Journal
of the American Oriental Society, 112, 1, p.171, January – March. |
|
| 1986 |
Wade, Bonnie C. “Khyal:
Creativity within North India’s Classical Music Tradition.” (Cambridge
Studies in Ethnomusicology) Cambridge, CUP, 1984. In Journal
of the Royal Asiatic Society, pp.144-46. |
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| 1999 |
Honouring Pandit Jasraj at
Convocation Hall, University of Toronto. 2CD set with
liner notes. Foundation for the Indian Performing Arts, FIPA002.
[Click on image to read more.] |
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| 1995 |
Pandit Jasraj Live at the
University of Toronto. 2 CD set. Foundation for the Indian
Performing Arts, FIPA001. [Click on image to read more.] |
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| — |
Liner notes for Mohan
Shyam Sharma: Pakhavaj Solos in Chautal and Dhamar. CD, India Archive Recordings
IAM•CD), New York. Forthcoming 2007. |
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| — |
Liner notes for Pandit Anand
Badamikar: Tabla Solo in Tintal. CD, India Archive Recordings
(IAM•CD), New York. Forthcoming 2007. |
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| 2002 |
Liner notes for Pandit Shankar
Ghosh: Tabla Solos in Nasruk Tal and Tintal. CD, India
Archive Recordings (IAM•CD1054), New York. |
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| 2001 |
Liner notes for Shujaat Khan,
Sitar: Raga Bilaskhani Todi &
Raga Bhairavi. CD, India Archive Recordings (IAM•CD1046),
New York. |
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| 1998 |
Liner notes for Pandit Bhai
Gaitonde: Tabla Solo in Tintal. CD, India Archive Recordings
(IAM•CD1034), New York. |
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| 1995 |
Liner notes for Ustad Amjad
Ali Khan: Rag Bhimpalasi & Rag
“Tribute to America”. CD, India Archive Recordings
(IAM•CD1019), New York. |
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| 1994 |
Liner notes for Ustad Nizamuddin
Khan: Tabla Solo in Tintal. CD, India Archive Recordings
(IAM•CD1014), New York. |
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| 1992 |
Liner notes for Tejendra
Narayan Majumdar (sarod) and Pandit Kumar Bose (tabla): Rag
Bageshri & Rag Zila Kafi. CD, India Archive Recordings
(IAM•CD 1008), New York, . |
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| 1990 |
“In Memoriam: Afaq Husain
(1930-1990).” Ethnomusicology 34, 3, pp.429-30. |
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| 1990 |
“In Memoriam: John Blacking
(1928-1990).” Ethnomusicology 34, 2, pp.263-6. |
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